Set your preferred locations for a better search. You can sign up here.

Classical concerts featuring
Siobhan Stagg

Overview

Quick overview of musician Siobhan Stagg by associated keywords

New Arrivals

These concerts featuring Siobhan Stagg became visible lately at ConcertPulse.

Nothing found for now.

Upcoming Concerts

Concerts featuring Siobhan Stagg in season 2024/25 or later

March 9, 2025
Artistic depiction of the event

Musik der Zeit – Pierre Boulez zum 100.

Sun, Mar 9, 2025, 18:00
Siobhan Stagg (Soprano), Erik Bosgraaf (Recorder), Jorrit Tamminga (Electronic), Thomas Koopmans (Sound control), WDR Sinfonieorchester (Ensemble), Jonathan Nott (Conductor)
When the significant French composer and conductor Pierre Boulez passed away in 2016, Austrian composer Olga Neuwirth recalled her mentor in an obituary, remembering his way of "looking at music in a completely different way". Neuwirth composed a new piece for orchestra and electronics, electro-acoustic sounds that also repeatedly interested Boulez. The WDR Symphony Orchestra, conducted by guest conductor Jonathan Nott, performs Boulez's shimmering and floating sound portrait of the great symbolist poet Stéphane Mallarmé, "Pli selon pli".
May 18, 2025
Artistic depiction of the event

Die dunkle Seite des Mondes

Sun, May 18, 2025, 18:00
Unsuk Chin (Komposition), Kerstin Schüssler-Bach (Mitarbeit Libretto), Dead Centre (Inszenierung), Kent Nagano (Musical Director), Jeremy Herbert (Bühne), Janina Brinkmann (Costume), James Farncombe (Licht), Sophie Lux (Video), Dr. Angela Beuerle (Dramaturgie), Michael Sangkuhl (Dramaturgie), Christian Günther (Chorleitung), Thomas Lehman (Dr. Kieron), Bo Skovhus (Meister Astaroth), Siobhan Stagg (Miriel), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Dr. Kieron is a brilliant scientist, respected and feared by his colleagues. But what nobody suspects is that every night he is haunted in his dreams by three recurring beings, enigmatic numbers and mysterious symbols, which he experiences with unbearably intense feelings. It is from these apparitions that he receives his scientific visions - the fundamental basis of his success. He also leads a double life. A highly respected scientist by day, he dives into the shady underworld at night in a restless search for human happiness. But his control over himself is slipping away. In order to satisfy his irrepressible urge for scientific knowledge and an emotionally fulfilling life, Kieron wants to have his dreams analyzed and enters into an alliance with the diabolical master Astaroth, with fatal consequences. Unsuk Chin drew inspiration for her second opera from the life and work of the legendary physicist Wolfgang Pauli and his relationship with the psychiatrist Carl Gustav Jung. Faustian material for the 21st century. Musical Direction: Kent Nagano Production: Dead Centre Stage: Jeremy Herbert Costumes: Janina Brinkmann Lighting: James Farncombe Video: Sophie Lux Dramaturgy: Angela Beuerle, Michael Sangkuhl Commissioned by the State Opera Hamburg with the support of the Ernst von Siemens Music Foundation Opera in two acts and ten pictures Based on a fictional story by the composer, inspired by the relationship between Wolfgang Pauli and Carl Gustav Jung
May 21, 2025
Artistic depiction of the event

Die dunkle Seite des Mondes

Wed, May 21, 2025, 19:30
Unsuk Chin (Komposition), Kerstin Schüssler-Bach (Mitarbeit Libretto), Dead Centre (Inszenierung), Kent Nagano (Musical Director), Jeremy Herbert (Bühne), Janina Brinkmann (Costume), James Farncombe (Licht), Sophie Lux (Video), Dr. Angela Beuerle (Dramaturgie), Michael Sangkuhl (Dramaturgie), Christian Günther (Chorleitung), Thomas Lehman (Dr. Kieron), Bo Skovhus (Meister Astaroth), Siobhan Stagg (Miriel), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Dr. Kieron is a brilliant scientist, respected and feared by his colleagues. But what nobody suspects is that every night he is haunted in his dreams by three recurring beings, enigmatic numbers and mysterious symbols, which he experiences with unbearably intense feelings. It is from these apparitions that he receives his scientific visions - the fundamental basis of his success. He also leads a double life. A highly respected scientist by day, he dives into the shady underworld at night in a restless search for human happiness. But his control over himself is slipping away. In order to satisfy his irrepressible urge for scientific knowledge and an emotionally fulfilling life, Kieron wants to have his dreams analyzed and enters into an alliance with the diabolical master Astaroth, with fatal consequences. Unsuk Chin drew inspiration for her second opera from the life and work of the legendary physicist Wolfgang Pauli and his relationship with the psychiatrist Carl Gustav Jung. Faustian material for the 21st century. Musical Direction: Kent Nagano Production: Dead Centre Stage: Jeremy Herbert Costumes: Janina Brinkmann Lighting: James Farncombe Video: Sophie Lux Dramaturgy: Angela Beuerle, Michael Sangkuhl Commissioned by the State Opera Hamburg with the support of the Ernst von Siemens Music Foundation Opera in two acts and ten pictures Based on a fictional story by the composer, inspired by the relationship between Wolfgang Pauli and Carl Gustav Jung
May 27, 2025
Artistic depiction of the event

Die dunkle Seite des Mondes

Tue, May 27, 2025, 19:30
Unsuk Chin (Komposition), Kerstin Schüssler-Bach (Mitarbeit Libretto), Dead Centre (Inszenierung), Kent Nagano (Musical Director), Jeremy Herbert (Bühne), Janina Brinkmann (Costume), James Farncombe (Licht), Sophie Lux (Video), Dr. Angela Beuerle (Dramaturgie), Michael Sangkuhl (Dramaturgie), Christian Günther (Chorleitung), Thomas Lehman (Dr. Kieron), Bo Skovhus (Meister Astaroth), Siobhan Stagg (Miriel), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Dr. Kieron is a brilliant scientist, respected and feared by his colleagues. But what nobody suspects is that every night he is haunted in his dreams by three recurring beings, enigmatic numbers and mysterious symbols, which he experiences with unbearably intense feelings. It is from these apparitions that he receives his scientific visions - the fundamental basis of his success. He also leads a double life. A highly respected scientist by day, he dives into the shady underworld at night in a restless search for human happiness. But his control over himself is slipping away. In order to satisfy his irrepressible urge for scientific knowledge and an emotionally fulfilling life, Kieron wants to have his dreams analyzed and enters into an alliance with the diabolical master Astaroth, with fatal consequences. Unsuk Chin drew inspiration for her second opera from the life and work of the legendary physicist Wolfgang Pauli and his relationship with the psychiatrist Carl Gustav Jung. Faustian material for the 21st century. Musical Direction: Kent Nagano Production: Dead Centre Stage: Jeremy Herbert Costumes: Janina Brinkmann Lighting: James Farncombe Video: Sophie Lux Dramaturgy: Angela Beuerle, Michael Sangkuhl Commissioned by the State Opera Hamburg with the support of the Ernst von Siemens Music Foundation Opera in two acts and ten pictures Based on a fictional story by the composer, inspired by the relationship between Wolfgang Pauli and Carl Gustav Jung
May 31, 2025
Artistic depiction of the event

Die dunkle Seite des Mondes

Sat, May 31, 2025, 19:30
Unsuk Chin (Komposition), Kerstin Schüssler-Bach (Mitarbeit Libretto), Dead Centre (Inszenierung), Kent Nagano (Musical Director), Jeremy Herbert (Bühne), Janina Brinkmann (Costume), James Farncombe (Licht), Sophie Lux (Video), Dr. Angela Beuerle (Dramaturgie), Michael Sangkuhl (Dramaturgie), Christian Günther (Chorleitung), Thomas Lehman (Dr. Kieron), Bo Skovhus (Meister Astaroth), Siobhan Stagg (Miriel), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Dr. Kieron is a brilliant scientist, respected and feared by his colleagues. But what nobody suspects is that every night he is haunted in his dreams by three recurring beings, enigmatic numbers and mysterious symbols, which he experiences with unbearably intense feelings. It is from these apparitions that he receives his scientific visions - the fundamental basis of his success. He also leads a double life. A highly respected scientist by day, he dives into the shady underworld at night in a restless search for human happiness. But his control over himself is slipping away. In order to satisfy his irrepressible urge for scientific knowledge and an emotionally fulfilling life, Kieron wants to have his dreams analyzed and enters into an alliance with the diabolical master Astaroth, with fatal consequences. Unsuk Chin drew inspiration for her second opera from the life and work of the legendary physicist Wolfgang Pauli and his relationship with the psychiatrist Carl Gustav Jung. Faustian material for the 21st century. Musical Direction: Kent Nagano Production: Dead Centre Stage: Jeremy Herbert Costumes: Janina Brinkmann Lighting: James Farncombe Video: Sophie Lux Dramaturgy: Angela Beuerle, Michael Sangkuhl Commissioned by the State Opera Hamburg with the support of the Ernst von Siemens Music Foundation Opera in two acts and ten pictures Based on a fictional story by the composer, inspired by the relationship between Wolfgang Pauli and Carl Gustav Jung
June 5, 2025
Artistic depiction of the event

Die dunkle Seite des Mondes

Thu, Jun 5, 2025, 19:30
Unsuk Chin (Komposition), Kerstin Schüssler-Bach (Mitarbeit Libretto), Dead Centre (Inszenierung), Kent Nagano (Musical Director), Jeremy Herbert (Bühne), Janina Brinkmann (Costume), James Farncombe (Licht), Sophie Lux (Video), Dr. Angela Beuerle (Dramaturgie), Michael Sangkuhl (Dramaturgie), Christian Günther (Chorleitung), Thomas Lehman (Dr. Kieron), Bo Skovhus (Meister Astaroth), Siobhan Stagg (Miriel), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Dr. Kieron is a brilliant scientist, respected and feared by his colleagues. But what nobody suspects is that every night he is haunted in his dreams by three recurring beings, enigmatic numbers and mysterious symbols, which he experiences with unbearably intense feelings. It is from these apparitions that he receives his scientific visions - the fundamental basis of his success. He also leads a double life. A highly respected scientist by day, he dives into the shady underworld at night in a restless search for human happiness. But his control over himself is slipping away. In order to satisfy his irrepressible urge for scientific knowledge and an emotionally fulfilling life, Kieron wants to have his dreams analyzed and enters into an alliance with the diabolical master Astaroth, with fatal consequences. Unsuk Chin drew inspiration for her second opera from the life and work of the legendary physicist Wolfgang Pauli and his relationship with the psychiatrist Carl Gustav Jung. Faustian material for the 21st century. Musical Direction: Kent Nagano Production: Dead Centre Stage: Jeremy Herbert Costumes: Janina Brinkmann Lighting: James Farncombe Video: Sophie Lux Dramaturgy: Angela Beuerle, Michael Sangkuhl Commissioned by the State Opera Hamburg with the support of the Ernst von Siemens Music Foundation Opera in two acts and ten pictures Based on a fictional story by the composer, inspired by the relationship between Wolfgang Pauli and Carl Gustav Jung
June 22, 2025
Artistic depiction of the event

Così fan tutte

Sun, Jun 22, 2025, 17:00
Alexander Joel (Musical Director), Christian Günther (Chorleitung), Jennifer Davis (Fiordiligi), Jana Kurucová (Dorabella), Nicholas Mogg (Guglielmo), Dovlet Nurgeldiyev (Ferrando), Siobhan Stagg (Despina), Joshua Bloom (Don Alfonso), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Seeking to test their girlfriends’ fidelity, two men wager that they will remain steadfast. They subject the women to passionate onslaught, and in the end, the fortress of their faithfulness falls. The men, however, involved as they are in the experiment, failed to reckon that they too might betray their partners and feelings. All this cheating, confusing, lying – to others and oneself – is grotesquely comical and simultaneously cruel. One side is inclined not to think about the new situation (Guglielmo and Dorabella), while the others try to comprehend it to the point of exhaustion (Fiordiligi and Ferrando). The final ceremony seeks to cement the social status quo, bringing this new freedom to its knees. The marriage, however, is only for show, and beneath the surface of tradition, the first cracks appear. Director: Herbert Fritsch Costume Designer: Victoria Behr Lighting Designer: Carsten Sander Dramaturgy: Johannes Blum Premiere: September 8th, 2018
June 25, 2025
Artistic depiction of the event

Così fan tutte

Wed, Jun 25, 2025, 19:00
Alexander Joel (Musical Director), Christian Günther (Chorleitung), Jennifer Davis (Fiordiligi), Jana Kurucová (Dorabella), Nicholas Mogg (Guglielmo), Dovlet Nurgeldiyev (Ferrando), Siobhan Stagg (Despina), Joshua Bloom (Don Alfonso), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Seeking to test their girlfriends’ fidelity, two men wager that they will remain steadfast. They subject the women to passionate onslaught, and in the end, the fortress of their faithfulness falls. The men, however, involved as they are in the experiment, failed to reckon that they too might betray their partners and feelings. All this cheating, confusing, lying – to others and oneself – is grotesquely comical and simultaneously cruel. One side is inclined not to think about the new situation (Guglielmo and Dorabella), while the others try to comprehend it to the point of exhaustion (Fiordiligi and Ferrando). The final ceremony seeks to cement the social status quo, bringing this new freedom to its knees. The marriage, however, is only for show, and beneath the surface of tradition, the first cracks appear. Director: Herbert Fritsch Costume Designer: Victoria Behr Lighting Designer: Carsten Sander Dramaturgy: Johannes Blum Premiere: September 8th, 2018
June 28, 2025
Artistic depiction of the event

Così fan tutte

Sat, Jun 28, 2025, 19:00
Alexander Joel (Musical Director), Christian Günther (Chorleitung), Jennifer Davis (Fiordiligi), Jana Kurucová (Dorabella), Nicholas Mogg (Guglielmo), Dovlet Nurgeldiyev (Ferrando), Siobhan Stagg (Despina), Joshua Bloom (Don Alfonso), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Seeking to test their girlfriends’ fidelity, two men wager that they will remain steadfast. They subject the women to passionate onslaught, and in the end, the fortress of their faithfulness falls. The men, however, involved as they are in the experiment, failed to reckon that they too might betray their partners and feelings. All this cheating, confusing, lying – to others and oneself – is grotesquely comical and simultaneously cruel. One side is inclined not to think about the new situation (Guglielmo and Dorabella), while the others try to comprehend it to the point of exhaustion (Fiordiligi and Ferrando). The final ceremony seeks to cement the social status quo, bringing this new freedom to its knees. The marriage, however, is only for show, and beneath the surface of tradition, the first cracks appear. Director: Herbert Fritsch Costume Designer: Victoria Behr Lighting Designer: Carsten Sander Dramaturgy: Johannes Blum Premiere: September 8th, 2018
July 2, 2025
Artistic depiction of the event

Così fan tutte

Wed, Jul 2, 2025, 19:00
Alexander Joel (Musical Director), Christian Günther (Chorleitung), Jennifer Davis (Fiordiligi), Jana Kurucová (Dorabella), Nicholas Mogg (Guglielmo), Dovlet Nurgeldiyev (Ferrando), Siobhan Stagg (Despina), Joshua Bloom (Don Alfonso), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Seeking to test their girlfriends’ fidelity, two men wager that they will remain steadfast. They subject the women to passionate onslaught, and in the end, the fortress of their faithfulness falls. The men, however, involved as they are in the experiment, failed to reckon that they too might betray their partners and feelings. All this cheating, confusing, lying – to others and oneself – is grotesquely comical and simultaneously cruel. One side is inclined not to think about the new situation (Guglielmo and Dorabella), while the others try to comprehend it to the point of exhaustion (Fiordiligi and Ferrando). The final ceremony seeks to cement the social status quo, bringing this new freedom to its knees. The marriage, however, is only for show, and beneath the surface of tradition, the first cracks appear. Director: Herbert Fritsch Costume Designer: Victoria Behr Lighting Designer: Carsten Sander Dramaturgy: Johannes Blum Premiere: September 8th, 2018